Arte fantástico: estrategias visuales de lo imposible 

    Parramon Rubio, Pere (Fecha de defensa: 2021-01-25)

    Distinguishing between “marvellous art”, “fantastic art” and what we call “daimonic art”, the first objective of this doctoral thesis consists of elaborating a functional definition of fantastic art that brings together ...

    Confraria, gremi i col·legi d’argenters a la Girona d’època moderna 

    Montroig Cruset, Sara (Fecha de defensa: 2023-04-14)

    The present work, based on unpublished documentation such as the Llibre del Collegi de Argenters de Gerona sots invocasio del Glorios St. Aloy, y St. Anastasi of the Biblioteca de Catalunya, focuses on the study of the art ...

    De l'antiquarisme a l'arqueologia. La protecció del patrimoni històric i arqueològic a la província de Girona (1835-1876) 

    Buscató i Somoza, Lluís (Fecha de defensa: 2011-09-12)

    The first protective activities of historical and archaeological heritage in the province of Girona (Catalonia, Spain), although some earlier precedents, were produced from the third decade of the nineteenth century. These ...

    El restaurador Joan Sutrà Viñas (1898-1981) i la seva aportació a la conservació del patrimoni artístic 

    Miquel Vilanova, Maria Àngels (Fecha de defensa: 2019-07-04)

    The aim of this doctoral thesis is to present the person and work of restorer and professor of history of art Joan Sutrà Viñas (1898 - 1981), in particular within the context of the conservation and restoration of artistic ...

    Els gravats rupestres prehistòrics d'estil Tazina del jaciment de Sluguilla Lawash (Sàhara Occidental) 

    Ventura Almeda, Helena (Fecha de defensa: 2020-02-21)

    Sluguilla Lawash is the site with a higher concentration of open air prehistoric rock art of Western Sahara. It has 1143 engraved slabs with 2087 motifs, among which the 99% have an incised stroke, with a dark desert varnish ...

    L'art del retaule a l'àrea de Vic: entre les darreries del cicle renaixentista i l'entrada de les fórmules barroques (1568-1625 ca.) 

    Abril i Vilamala, Irene (Fecha de defensa: 2017-10-24)

    This research paper studies the production of altarpieces in five of the ten archpriesthoods that make up the current Bishop of Vic (the Vic’s, Lluçanès’, Ter-Collsacabra’s, Guilleries-Congost’sand theMoianès’ ones) between ...

    L'esperienza rizomatica dell'arte. Verso una comunità pensante, immaginativa, creativa 

    Ambusto, Loriana (Fecha de defensa: 2017-11-23)

    This thesis is a reinterpretation trip of my personal and professional route through my previous experiences as a practitioner and as a researcher, that winds through the recent methodologies of arts based educational ...

    L'imaginari monumental i artístic del turisme cultural. El cas de la revista Barcelona Atracción 

    Vidal Casellas, Dolors (Fecha de defensa: 2005-10-18)

    Aportació al Turisme Cultural a partir de l'estudi i anàlisi d'una revista de difusió turística en el mercat internacional, la Barcelona Atracción. (1910-1936 i 1945-1954), amb un anàlisi més extens de l'etapa republicana. ...

    Les objects inscrits, supports de communication: corpus mobilier médiéval exposé dans les musées de la ville de Gérone 

    Friis Alsinger, Léa (Fecha de defensa: 2014-12-09)

    Ce travail repose sur l’étude d’une compilation d’objets médiévaux (Ve-XVe siècles) portant tout type d’inscriptions, exposés dans les musées de la ville de Gérone aujourd’hui : au musée du Trésor de la Cathédrale, au musée ...

    Los valores de la creatividad y del goce artístico en el imaginario del docente de arte 

    Cagigós Villacampa, Núria (Fecha de defensa: 2022-02-25)

    Education in values is a cross educational process that develops unique, responsible, and socially conscious individuals who in turn form civic, democratic, and tolerant societies. In this context, art is one of the main ...

    L’impacte social dels museus. El cas de les associacions d’amics dels museus 

    Jove Casabella, Eva (Fecha de defensa: 2022-09-23)

    This thesis, within the theme of the social impact of museums and public studies, deals with the associations of friends of museums in Catalonia. To analyse them, a search has been carried out using different techniques, ...

    Mágica belleza. El pensamiento mágico como fundamento original de la teoría del arte 

    Ferrer Ventosa, Roger (Fecha de defensa: 2018-09-20)

    Artistic forms seem to be closely related to magical thinking, because of their use of symbols and representations, the creation of talismanic objects and the articulation of ritual practices. This link has fluctuated ...

    Mediación cultural en el espacio museístico: un enfoque cooperativo para alumnado de educación secundaria. Aproximación a dos casos de estudio en Quebec y Cataluña 

    Laliberté De Gagné, Élisabeth (Fecha de defensa: 2023-01-26)

    This research is the result of a personal quest that focuses on the possibility of implementing and analyzing a mediation experience with high school students in the museum through cooperative learning experiences and to ...

    Miquel Mai (ca. 1480-1546). Art i cultura a la cort de Carles V 

    Bellsolell Martínez, Joan (Fecha de defensa: 2011-07-12)

    The doctoral thesis was an study about Miquel Mai, a polític, jurist, bibliophile and art collector in Barcelona in the first half of the XVI century. The thesis presents the figure of Miquel Mai by his biographic history, ...

    Sculptor Nina Slobodinskaya (1898-1984). Life and search of creative boundaries in the Soviet epoch 

    Gnezdilova, Anastasia (Fecha de defensa: 2015-10-19)

    Nina Konradovna Slobodinskaya - sculptor of Soviet epoch and space. Her creative work embraces more than 50 years and mirrors all artistic tendencies, actual subjects, main sculptural genres of the most contradictory, ...

    Sostenibilitat als centres culturals: exposicions d'art amb criteris ecològics 

    Alcubierre, Anna (Fecha de defensa: 2021-09-06)

    The work belongs to sustainability and culture, it is a research on how we act and what ecological responsibility we take, in the spaces dedicated to temporary art exhibitions. The objective is justified because museum ...