Camilo Egas, el precursor del indigenismo y concitador de las vanguardias en Ecuador (1889-1962) 

    Paocarina Albuja, Fabián (Date of defense: 2021-09-06)

    The thesis: "Camilo Egas, the precursor of indigenism and instigator of the avant-garde in Ecuador (1889-1962)", exposes a comprehensive study of the painter's author career in two dimensions of analysis: 1) the ...

    Intercessió celestial i mecenatge sacre: la imatge del sant patró ciutadà a la Barcelona moderna (1517-1760) 

    Farías Muñoz, Laura (Date of defense: 2023-03-16)

    During the early modern age, the patron saint was a key element in the configuration and definition of urban identities, impregnated with an important sacred component. In this context, strongly influenced by the post-Tridentine ...

    Joseph Bernard Flaugier (1757-1813). Vida i obra 

    Agustí, Francesc (Date of defense: 2022-11-30)

    Joseph Bernard Flaugier was born in Martigues, Bouches-du-Rhône, on December 10, 1757. On January 23, 1775, the Escola Gratuïta de Dibuix of Barcelona was inaugurated and Flaugier was one of the first students. After ...

    La pintura de Balthus: de la imagen a la imaginación. Paradojas de lo real, el deseo y la identidad 

    Cornejo Brugués, Laura (Date of defense: 2018-01-08)

    The main topic of this doctoral research is the French artist Balthus (1908-2001) and the analysis of his pictorial production. Despite being a notorious and much discussed painter by a theorical corpus who have been ...

    La projecció d'un ideal estètic durant el Noucentisme. Josep Aragay i Blanchar (1889-1973) 

    Castanyer, Xavier, 1967- (Date of defense: 2011-05-09)

    "La projecció d'un ideal estètic durant el Noucentisme. Josep Aragay i Blanchar (1889-1973)" es el primer estudi integral dedicat a aquest artista i teòric del Noucentisme. La tesi analitza amb profunditat la trajectòria ...

    La representació de la dona en l'obra d'Hermen Anglada-Camarasa 

    Ribot-Bayé, Cristina (Date of defense: 2016-02-11)

    Hermenegild Anglada-Camarasa (1871-1959) va ser un artista català amb una trajectòria professional remarcable que es va estendre al llarg de la primera meitat del segle XX, en l’àmbit nacional però fonamentalment en ...

    Modernidad y colonialidad en el modernismo brasileño: Tarsila do Amaral y Emiliano Di Cavalcanti 

    Duarte-Feitoza, Paulo Henrique (Date of defense: 2017-06-19)

    The present study tries to analyze the artistic production of the painters Tarsila do Amaral (1886-1973) and Emiliano Di Cavalcanti (1897-1976) through the concepts of modernity, coloniality and nation. The Brazilian ...

    L'obrador d'Antoni Peitaví i la producció de retaules als comtats del Rosselló i la Cerdanya (c. 1560-1592) 

    Vázquez Vives, Adrià (Date of defense: 2022-11-17)

    This research paper focuses on the study of the professional career of the painter Antoni Peitaví and his workshop. Furthermore, it presents a critical analysis of his artistic culture. Born in Toulouse in the mid-16th ...

    "Quattro quadri, di pittura molto vaga e bella". Las spalliere con la Historia de Nastagio degli Onesti de Sandro Botticelli 

    Vico Martori, Alexandre (Date of defense: 2021-04-12)

    In 1483 Sandro Botticelli completed with the collaboration of his workshop the quartet with the story of Nastagio degli Onesti. It was the first pictorial transcription on panel of the novella of the Decameron and its ...