Ara mostrant els elements 1-7 de 7
Coleman, Graham Keith (Data de defensa: 2016-02-05)
Sampling, as a musical or synthesis technique, is a way to reuse recorded musical expressions. In this dissertation, several ways to expand sampling synthesis are explored, especially mosaicing synthesis, ...
Şentürk, Sertan (Data de defensa: 2017-02-22)
This thesis addresses several shortcomings on the current state of the art methodologies in music information retrieval (MIR). In particular, it proposes several computational approaches to automatically ...
Özaslan, Tan Hakan (Data de defensa: 2013-11-29)
L’estudi de l’expressivitat musical és un camp molt actiu en la computació musical. El seu interès ve donat per diverses motivacions: entendre i modelitzar l’expressivitat musical; identificar els ...
Dzhambazov, Georgi (Data de defensa: 2017-06-28)
This thesis proposes specific signal processing and machine learning methodologies for automatically aligning the lyrics of a song to its corresponding audio recording. The research carried out falls ...
Oramas Martín, Sergio (Data de defensa: 2017-11-29)
In this thesis, we address the problems of classifying and recommending music present in large collections. We focus on the semantic enrichment of descriptions associated to musical items (e.g., artists ...
Favory, Xavier (Data de defensa: 2021-03-04)
Capturing sounds on a recording medium to enable their preservation and reproduction started to be possible during the industrial revolution of the 19th century, originally achieved through mechanic and ...
Srinivasamurthy, Ajay (Data de defensa: 2016-11-17)
Las colecciones de música son cada vez mayores y más variadas, haciendo necesarias nuevas fórmulas para su organización automática. El análisis automático del ritmo tiene como fin la extracción de ...